Filmmakers have progressed a long way from the early use of those rear projection scenes. We make fun of those now but Hollywood FX needed to start someplace. Today, directors can call on the current state of the art innovation to help them inform their story. Some people believe that there is an over dependence on special effects, to the hinderance of story and characterization. New techniques have had one of the most impact on historical impressives, science fiction and animation.
Matte painted backgrounds and miniature models served motion pictures well for a long time, enabling futuristic films such as Fritz Lang's Metropolis. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. War films that required sea fight footage used miniature models in big water tanks. This, and an approach known as traveling matte, produced the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of unique effects masters.
Further advancement came when effects manager Douglas Trumball developed new methods for the final trip in Kubrick's 2001: A Space Odyssey. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX ever since.
Today, we are used to the concept of movies being shot with a blue screen and the background being added later on. Computer System Graphics Imaging (CGI) controls the scene now. Any item or individual can be controlled by the computer system and mixed in with the live action. This technique was put to terrific usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has actually introduced it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are just about gone. The Weta workshop in New Zealand has built a reputation as one of the very best unique effects business, especially given that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the epic film possible. It would have been cost excessive to construct a mock up of the Coliseum in Gladiator. Russell Crowe combats the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to begin somewhere. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has originated Hollywood FX ever since.
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